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Netflix’s new status miniseries Ripley introduces a proficient new star in Eliot Sumner. Within the adaptation of Patricia Highsmith’s famed novel The Proficient Mr. Ripley, the musician-actor performs Freddie Miles, the antagonistic buddy of Dickie Greenleaf who comes at odds with con-man Tom Ripley (Andrew Scott). Within the earlier 1999 movie adaptation of the novel, Freddie, performed with full brashness by Philip Seymour Hoffman, is an obnoxious womanizer who instantly clocks Ripley as a pretender. Within the 2024 sequence, Sumner stands out among the many all-star forged with their comparatively quieter, magnetic, scene-stealing efficiency.
Sumner, who’s nonbinary and makes use of gender-neutral pronouns, is finest referred to as the kid of one of many world’s well-known rockstars, however the 33-year-old can also be a proficient singer-songwriter in their very own proper. Learn on to be taught extra in regards to the multi-hyphenate, together with how they landed their function in Ripley.
Eliot Sumner as Freddie Miles in episode 5 of the miniseries.
(Picture credit score: Philippe Antonello/Netflix)
They’re the kid of one of the vital well-known musicians of all time.
Sumner was born in 1990 in Pisa, Italy, to oldsters Sting (actual title Gordon Sumner) and Trudie Styler. They grew up in England and commenced writing songs as an adolescent, later signing a significant file deal at 17. Since then, they’ve launched music as a soloist in addition to underneath nameless stage names, together with Coco (as a part of the band I Blame Coco) and Vaal (as a DJ and digital music artist).
Earlier than ‘Ripley,’ they appeared in a Bond movie.
As an actor, Sumner bought their begin with small roles as a toddler, together with an look within the 2007 fantasy movie Stardust. Their first main function was in 2019 in Man Ritchie’s The Gents (the unique movie, not the current Netflix sequence). They’ve additionally appeared in current movies together with La Divina Cometa, Fairly Crimson Gown, Infinite Storm, and the 2021 Bond movie No Time to Die.
They’ve mentioned that they do not consider in gender “labels.”
Sumner first opened up about their gender id in a 2015 interview with Night Commonplace, through which they mentioned that they don’t establish with a specific gender. As a substitute, they mentioned they outlined themself as a “musician,” including, “I don’t consider in any specs.”
“I believe without end I used to be making an attempt to determine possibly … what I’m. However I don’t suppose anybody ought to really feel pressured to have any sort of label or tag on them,” they added. “We should always deal with all people the identical. Me, I don’t wish to be put right down to a particular factor. We’re all human beings.”
The musician additionally added that they by no means felt the necessity to come out to their household and pals as a result of “nobody ever requested. They knew already. So I didn’t have to. I’ve by no means come out to anybody. My pals at all times knew and I at all times knew.”
Eliot Sumner on the Los Angeles premiere of Netflix’s “Ripley” in April 2024.
(Picture credit score: Axelle/Bauer-Griffin/FilmMagic)
They primarily based their ‘Ripley’ efficiency on “hundreds of Freddies [they’ve] come throughout” in his life.
In a Tudum interview, Sumner opened up about their method for the Ripley audition, through which he reinvented the on-screen character first made well-known by Philip Seymour Hoffman. “[The description] mentioned he was a loud American and I made a decision to make him a really observant, boastful English particular person and see how that went,” they mentioned. “I actually thought, it’s very good of them to present me a shot, however I wasn’t going to get it.”
In the meantime, writer-director Steven Zaillian advised Decider that Sumner’s distinctive take helped them land the function. “I auditioned actually 200 individuals [for that part] and I’d say 95% of these individuals have been doing a Hoffman impression,” he advised the outlet. “[Eliot’s take] was so contemporary, and to me, like, ‘Oh, this can be a manner of doing this character in a totally totally different manner, however simply as menacing and simply as threatening, not in an obnoxious loud manner, however in a sort of quiet, subtle manner.’”
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