Strikes, streaming and AI: Executives debate Hollywood’s wild 2023


For individuals who work within the leisure trade, 2023 was a yr that many would favor to neglect.

Hollywood’s momentum towards the restoration of the field workplace was shortly sapped by six months of strikes, first with the Writers Guild of America, then by the Display screen Actors Guild-American Federation of Tv and Radio Artists.

The writers’ and actors’ walkouts — marking the primary time in six many years that the 2 guilds’ picket strains overlapped — got here as legacy media and leisure corporations grappled with their determination to cost into the streaming wars. Firms that spent billions of {dollars} to construct up direct-to-consumer Netflix opponents, sacrificing worthwhile however declining TV networks alongside the way in which, discovered themselves underneath the more and more important eye of Wall Avenue. What number of of those providers would survive, not to mention flip a revenue?

All of the whereas, because the strikes dragged on, the specter of synthetic intelligence applications emerged from being a sideshow within the labor negotiations into one of many nice existential debates roiling actors, scribes, producers and everybody within the government suites.

The Occasions invited a panel of prime leisure trade executives from corporations together with Sony’s TriStar Footage, Warner Bros. and United Expertise Company, together with producers of hits corresponding to “Barbarian,” “Wednesday” and “BS Excessive,” to take part in a wide-ranging dialogue of points. Subjects included the injury finished by the strikes, the challenges dealing with the theatrical film enterprise, the unsure way forward for streaming and linear tv and the way studios and artists are responding to the specter of synthetic intelligence expertise.

The November panel dialogue was moderated by Ryan Faughnder, senior editor of Firm City and writer of The Vast Shot publication. This dialog was edited for size and readability.

Jonathan Glickman, founder of Glickman Media Group.

Jonathan Glickman, founding father of Glickman Media Group.

How massive of an impression have the strikes had on the enterprise at giant?

Roy Lee, founder, Vertigo Leisure: Properly, I had 5 reveals and three motion pictures shut down, some in preproduction and one midway via manufacturing.

Jonathan Glickman, founder and CEO, Panoramic Media Co.: It’s not simply manufacturing. We had a movie that was supposed to return out in October starring Snoop Dogg, referred to as “The Underdoggs,” with Amazon and MGM. And that film needed to push its launch till January simply because he wasn’t obtainable to advertise. It’s seismic. It’s as disruptive of an occasion that I’ve skilled. It’s gonna take a while for the mud to settle.

FredAnthony Smith, vice chairman of non-scripted, SMAC Leisure: Happily for us in unscripted, we had been in a position to proceed to work. However you continue to really feel it. You’re feeling it simply from speaking to individuals. You possibly can really feel the apprehension and the the strain, and we’re simply glad that it’s over now.

Nicole Brown, president, TriStar Footage: One of many massive penalties of it was having to maneuver plenty of releases as a result of the movies simply couldn’t end. However I feel all people’s decided to rebuild, and there’s some nice motion pictures which are going to return out subsequent yr. So, it’s simply working the muscle once more.

Sam Register, President, Warner Bros. Animation, Jonathan Glickman

Sam Register, president of Warner Bros. Animation.

A few of motion pictures stayed put, although. Like TriStar’s “Thanksgiving,” from Eli Roth.

Brown: Completely. There have been sure issues that, fortunately, had shot earlier than all people needed to put pencils down and actors needed to say, “Goodbye.” And it’s actually necessary for the well being of the companies and for exhibition that we might avoid wasting content material and ensure we had been nonetheless protecting exhibition fed.

Glickman: However even these movies had been affected by not having actors selling these motion pictures.

Chris Hart, companion and co-head of expertise, United Expertise Company: It’s difficult, and I felt horrible for the actors. I felt horrible for everybody. They put their blood, sweat and tears into these wonderful tasks and never to have the ability to be on the market and to put it on the market. And everyone knows that in the event that they’re on the market selling it, there would in all probability be a special outcome.

How do you assume we will keep away from going via this once more in three years?

Glickman: Properly, to begin with, we is perhaps going via this once more in six months probably with IATSE [International Alliance of Theatrical Stage Employees]. I feel we’re in a disruptive interval within the nation typically, and this can be a microcosm. I assume the secret’s communication. I do hope that the blood that was shed for this labor strike interval will in the end make individuals take the pre-negotiations much more critically to keep away from these kinds of situations.

Smith: Take into consideration a few of what we’re coping with now. Ten years in the past, you by no means might’ve even imagined we’d be speaking about AI.

Roy Lee, CEO of Vertigo Entertainment.

Roy Lee, CEO of Vertigo Leisure.

There’s a way that peak TV is over and that the trade can be smaller, significantly on the TV aspect. How is that affecting you?

Sam Register, president, Warner Bros. Animation and Cartoon Community Studios: There was pre-peak TV, and it doesn’t really feel like we’re even again to these instances but. I feel everybody’s being very cautious about really making the greenlight determination. Whereas a Netflix government might have an thought at breakfast and have a greenlight by lunch, these days appear to be over, and issues are again to a tempo that possibly is a bit bit slower.

Hart: Our prime expertise and their tasks are nonetheless being vied for aggressively. So I feel we might all agree: nice content material, individuals will discover it. It’s in excessive demand, and I don’t assume that’s gonna go away.

Glickman: I like the optimism, however I don’t assume it’s so simple as “nice content material will at all times get there,” as a result of there are fewer patrons. Particularly on the theatrical aspect, individuals are very involved about what it means to spend that form of cash advertising a movie, a lot much less making a film. And that’s the place I feel it’s in all probability most irritating to me is that plenty of the flicks that we made our bones on, these can be robust to get made now.

Lee: Though I feel video video games are going to be the brand new comedian ebook motion pictures of the following era. ‘Trigger it’s like each online game firm now sees what occurred with “Mario” and “5 Nights at Freddy’s,” they usually need to get into the sport and truly assist self-finance the flicks too. So, it’ll be fascinating how that goes.

Nicole Brown, president of TriStar Pictures.

Nicole Brown, president of TriStar Footage.

Is there something stunning you about what’s working proper now in film theaters?

Brown: , I’m not stunned. I feel that what we’re seeing is that audiences are pushed by authentic. They’re pushed by issues that really feel recent and culturally related and culturally pressing. Like, even you stated that, Roy, that video video games are the brand new comedian books. I feel audiences are in search of what’s new. What’s a superhero they haven’t seen? What’s a narrative they haven’t seen?

Now there’s a local weather the place completed motion pictures can get canceled on the final minute. Does that trigger concern for you?

Glickman: That’s such a brand new phenomenon it’s kind of exhausting to even wrap your mind round what it’s wish to make a film after which simply have it vanish. I really feel horrible for anyone that that has occurred to. For producers, so long as we’ve a possibility to be entrepreneurial with what we’ve, I feel that we’re OK. And so now that we’re conscious that motion pictures can disappear, we will say in a deal, “Look, if this film is just not gonna be theatrically launched, we get the suitable to purchase it again.”

One of many fascinating issues from the final yr was the success “Sound of Freedom” and the success of Taylor Swift and that they did these exterior of the standard studio system.

Register: Take a look at the Sphere in Vegas. I bought to see ABBA Voyage in London. I’ve by no means seen something prefer it, and I’m ready for the Prince Expertise subsequent. However I feel the audiences are possibly in search of one thing new on a regular basis, and possibly we’ve gotten a bit caught in our methods, and possibly we have to blow it out.

Hart: You possibly can definitely see that within the music and comedy touring enterprise. There’s so many acts which are on the market on the highway and these massive festivals and issues like that.

Brown: Yeah. I feel individuals are so afraid that streaming is the top of theatrical exhibition, however I really assume the 2 can coexist. I’ve at all times stated, “Simply because there’s Postmates doesn’t imply we don’t go to eating places.” However I do assume we’ve a much bigger expectation of what we wish after we exit, after we get the baby-sitter, after we pay for parking.

Glickman: But additionally it’s a tricky factor to do. When there have been 20 motion pictures made by every studio a yr, you might kind of take a shot that 5 of them would catch some viral second. “Barbenheimer” was, like, a very natural factor. And the factor that’s simply scary with conservative considering is you can’t predict these moments.

Smith: You by no means know what’s gonna get individuals out of their properties now, however individuals wanna get outta their properties. It’s at all times the factor that’s not anticipated. , it’s “The Matrix” versus “Star Wars: The Phantom Menace.” No person thought the Marvel Cinematic Universe can be what it ended up being when “Iron Man” was launched in 2008. However if you attempt to duplicate it, then that’s if you run into bother.

Brown: However I feel what’s additionally fascinating in regards to the motion pictures [Jonathan] referenced is that they’re additionally tales for underserved audiences. I don’t assume younger ladies had been getting sufficient programming. Thank God for “Barbie” as properly, however I feel ladies had been in search of “what displays me within the market.”

Lee: When it comes to the competitors for movie and TV, it’s always evolving. We’re really simply combating for the eye span of all of the viewers. Like, my children watch YouTube greater than the rest. After which there’s the video video games. There are such a lot of new issues that come up which are taking away from the pie of the eye span of the viewers.

FredAnthony Smith, vice president of Non-Scripted, SMAC Entertainment.

FredAnthony Smith, vice chairman of Non-Scripted, SMAC Leisure.

Can linear TV and streaming coexist?

Register: Yeah. It’s getting exhaustinger. As a part of Warner Bros., we’ve a lot of linear networks. They’re very worthwhile and we’re nonetheless promoting nice stuff to them. However we’re additionally ensuring there’s a spot that they’ll stay additionally on streaming, so we’re doing ambidextrous programming and promoting.

We make the whole lot from preschool to grownup animation, and it’s the youngsters, that 6-to-11 core, that principally Cartoon Community and Nickelodeon and Disney all made their bones on. That’s disappearing. We’re seeing much more YA and grownup animation doing nice. And we see plenty of youthful content material being produced. Nevertheless it’s that area within the center, and it’s not simply streaming that’s getting children away from linear. It’s YouTube and it’s Roblox.

Glickman: Linear TV faces challenges, however plenty of the mainstream reveals that served all people — reveals like “Fits,” the three-camera sitcom — you’re seeing these reveals engaged on streaming as properly. And there’s a likelihood that linear TV can come again, as a result of they do produce that sort of programming, which I feel along with the streaming different, that’s what I’m listening to definitely that individuals need on the planet of tv.

Smith: There’s going to be staples which are nonetheless on linear TV, like “Wheel of Fortune” and “Jeopardy.” And sports activities … so long as sports activities is on linear, there’s gonna be a spot for linear.

Lee: It appears to me that the FAST [free advertising supported streaming] platforms are going to be the alternative for linear TV, as a result of sooner or later anybody can simply go and watch no matter they need on these networks. And it’s primarily community TV, however simply in a special format. Even Amazon’s Freevee and “Jury Responsibility.” It’s primarily a network-type present.

Are you utilizing AI? Are you involved about it?

Glickman: I don’t assume it’s actually going to have an effect on the writing course of very a lot for the close to future, simply because the standard is to date beneath something that an viewers would stand for. The one factor that I’m seeing that’s disturbing when it comes to job creation is — now you can feed a script into the ChatGPT and get protection of it instantly. Synopsis. They really do feedback. That’s a job that used to go to an up-and-coming child who’s going to learn to analyze materials.

Register: Animation’s a visible medium. However to date, I haven’t seen something AI can do visually that an artist doesn’t do higher presently.

Lee: I’ve an instance of one thing, that are storyboards, the place we put scripts in for storyboard evaluation.

Register: And?

Lee: It’s like items of artwork. And you might give notes, and it adjustments it on the fly.

Glickman: That’s a sequence of jobs.

Register: As an animation studio, I simply assume it’s necessary we shield the artists and the artwork kind so long as we will. As a result of I feel we must always give jobs to individuals who actually try this and to allow them to get their entry-level expertise.

Brown: Similar. I imply, motion pictures are about somebody’s expertise, somebody’s perspective, somebody’s imaginative and prescient. So, despite the fact that there was plenty of dialogue about AI throughout strikes, as somebody constructing content material, I need to work with human beings.

Hart: As an agent, we’re within the enterprise of defending our artists — from story editors to well-known actors to writers — so to work with individuals, that’s what I like to do.

Smith: And AI’s simply gonna get higher and higher. I watched the primary episode [of the recent Wilt Chamberlain docuseries], and it’s plenty of Wilt Chamberlain narration. I get to the second episode and there’s a disclaimer that claims Wilt Chamberlain’s voice-over was finished with AI. I had no concept that that was not Wilt Chamberlain.

Chris Hart, co-head of talent at United Talent Agency.

Chris Hart, co-head of expertise at United Expertise Company.

Is that this nonetheless a pretty enterprise for younger individuals?

Hart: Humorous sufficient, I used to be simply speaking to the top of our coaching program the opposite day. And simply to see the numbers and statistics of what number of candidates are coming in. I feel it’s nonetheless very, very vibrant. We nonetheless see a giant inflow of younger expertise.

Glickman: However I must guess that the movie and tv division of your company has gotten to be a smaller piece of the pie.

Hart: Yeah. As a result of we’ve gotten so diversified, so that you’re actually seeing with a few of these youthful expertise, they actually need digital. They actually need podcasting. They need to go work at Klutch Sports activities.

Plenty of the strikes had been about artists eager to take part extra on the again finish for profitable reveals. Producers have lengthy wished the identical factor. Is that transferring in the suitable path for you now?

Glickman: That is the first situation that faces producers typically. The spirit of a producer at all times was, “We’re gonna guess on the success of a movie. We’re gonna stand aspect by aspect with whoever releases this movie, nevertheless it’s launched. And if there’s something that turns into a spectacular success, we’re gonna profit from it.” And that isn’t occurring in in the present day’s world.


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